50 Years of Bond

October 9, 2012 4:24 pm by Lizzie Moore

The release of the new Bond film Skyfall this year, with the theme by our very own Adele, marks the 50th anniversary of the famous spy series, and has prompted renewed discussion about the theme tunes used over the years. ‘Live And Let Die’ by Paul McCartney & Wings was actually recently voted the best James Bond film theme by BBC Radio 5 Live and BBC Radio 2 listeners. Having worked closely with this track in our exciting new Rock Your GCSE Music series, it has been at the forefront of my mind for several months and got me thinking about what makes a good Bond song!

The Rock Your GCSE Music series showcases eight popular songs in a way that helps teachers to teach GCSE skills through the medium of great music and helps students to master an ensemble performance of each one. ‘Live And Let Die’ seemed a perfect choice for this project and the more I worked with it the more I grew to like it. I love the contrasting sections and the way it is so diverse. I think students will get a lot out of studying it – for starters they’ll probably know it well by the Guns n Roses version or for its appearance in Shrek 2 but this might be a new version to them, and it has lots of interesting elements to make it an exciting track to study and play. It covers a range of styles and musical techniques by way of the different sections of the song form, from a clear intro section to an up-tempo rock section, a modulation, and even a reggae section. It has interesting chords/harmonies and variations in tempo, and plenty of drama. The varying song form allows the performer to practise swift changes of key, tempo and mood – keeping them on their toes like a James Bond theme should!

The Bond themes are fantastic at representing the films they were written for and the era they were written in. The original orchestral Bond theme from Dr. No is the Daddy of the Bond films with its unmistakable, tense opening guitar riff and loud brassy moments. This theme tune ends on a fantastic chord that leaves you feeling a real sense of excitement as to what’s coming from the film and the action man himself.

Personally, my favourite Bond theme has to be ‘Licence To Kill’. I do prefer this Bond theme to ‘Live And Let Die’, although it comes a close second! There are moments, resulting from the dynamics and pleasing harmonies of this song, that makes the hairs on the back of my neck stand up. It’s dramatic and mysterious from the very outset and retains my attention throughout. I have been known to belt this out in the car when I’m by myself!

I canvassed the editors here at Music Sales about their favourite Bond themes – do you agree with them? What’s your favourite and why? And how is ‘Live and Let Die’ going down with your students? Do you like the new Skyfall theme? Let us know – our contact details are on the right.

Name: Sam

Favourite Bond theme: ‘Tomorrow Never Dies’

Artist: Sheryl Crow

Why: Really nice and almost sultry harmony, accentuated by the melody consisting of tension notes, scored over a large-scale band, and with these cross-rhythms of triplet crotchets. The overall structure is great when comparing the opening guitar passage, with the middle/later orchestral section. Also, Sheryl’s voice is incredible!


Name: Adrian

Favourite Bond theme: ‘From Russia With Love’

Artist: Matt Monro

Why: Matt Monro is an absolute legend! He is the reason this is my favourite Bond theme, for his delivery, style and a voice that could melt steel…


Name: Emma

Favourite Bond theme: ‘Dr. No’

Artist: Orchestral

Why: It sounds like a film theme rather than just a song (like ‘Die Another Day’ – Madonna, or ‘Another Way To Die’ from Quantum Of Solace – Jack White and Alicia Keys), and has an instantly recognisable riff that immediately puts you in mind of the film. Like Bond himself, it’s big, brave, brassy and suave, it’s got mystery and, ultimately, style. I love the mix of brass and electric guitar, along with the rhythms.


Name: Matt

Favourite Bond theme: ‘Licence To Kill’

Artist: Gladys Knight

Why: Michael Karmen brought more of an edge to the score than John Barry – very appropriate when you consider this was a very different Bond film, more about vengeance (the original title was ‘Licence Revoked’). The song itself is suitably brash, and just feels like a Bond song through the chords it uses and signature unison trumpets (homage to the original James Bond theme). Classic Bond lyrics too, incorporating the film title in a ‘romantic’ context. Personally, I just can’t get enough of the rall. before the key change, and the variation in the drum beat underneath the melody when it kicks back in! Gladys Knight was the perfect singer for this.

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